Writing with Voices
Ongoing project about tape-recorder compositions of the 1950s and 1960s from a studio work perspective, that is from the crafting and experimentation with recording tools. It is inspired by practice based musicology, by questions of re-enactment, redoing, reconsidering and puts the learning and getting to know versus appropriation. I am also interested in theoretical approaches to the questions arising from composing with recordings.
Writing with Voices is part of the Bern Academy of the Arts project.
Supported by the Swiss National Science Foundation
Writing with voices / Schreiben mit Stimmen


Schau, wie die Gleschter schwinden
29.6.2024, Gletsch
Jacques Demierre (Konzept, Stimme, Megaphon)
Antoine Läng, Stimme, Megaphon
Dorothea Schürch, Stimme, Megaphon
Schau wie die Gletscher schwinden
Trio Demierre, Läng, Schürch


aus dem, was sich so zuträgt II
performance score
nach Elke Erb: Es setzt auf mich, 16.10.04
Atelier, Sihlquai 253
31. August


Konzert
Urs Leimgruber, Saxophone
Magda Maya, piano
Dorothea Schürch, Stimme, Megaphon, Säge
10. September 20 Uhr, Neubad, Luzern