Writing with Voices
Ongoing project about tape-recorder compositions of the 1950s and 1960s from a studio work perspective, that is from the crafting and experimentation with recording tools. It is inspired by practice based musicology, by questions of re-enactment, redoing, reconsidering and puts the learning and getting to know versus appropriation. I am also interested in theoretical approaches to the questions arising from composing with recordings.
Writing with Voices is part of the Bern Academy of the Arts project.
Supported by the Swiss National Science Foundation
Writing with voices / Schreiben mit Stimmen
IOIC Orchester
12 und 13. Januar 2024
Walcheturm, Zürich
Zwei Tage Zeit
Pablo Assandri (CH): Filmauswahl
Dorothea Schürch (CH): Stimme
Hans Koch (CH): Bassklarinette und Sopransaxofon
Flo Stoffner (CH): El. Gitarre
Paul Hubweber (D): Posaune
Anouck Genthon (F): Violine
Violeta Garcia (ARG): Violoncello
Marina Mello Andrade (BRA): Harfe
John Edwards (GB): Kontrabass
Katharina Ernst (AUT): Schlagzeug und Perkussion
Peter Conradin Zumthor (CH): Schlagzeug und Perkussion
Studio
mit Urs Leimgruber
Tagung Schreiben mit Stimmen
15. - 17. Februar 2024
Hochschule der Künste, Bern
IMO Recording
24th to 27th of March 2024
Geneva